up like toast: June 2012

Saturday, June 30, 2012

I walk the line

Goya| Condesa de Altamira and Her Daughter, María Agustina | 1787–88.

Wednesday, June 27, 2012

Monday, June 25, 2012

jeffry mitchell love

Pad Pad. 2012
Glazed Earthenware
19.5 x 25 x 27 in

via: Ambach & Rice

Sunday, June 24, 2012

Saturday, June 23, 2012

Louise Bourgeois's space

LB's living room by photographer Dominique Nabokov. Part of his NY living room series
via: Gallerie Patricia Dorfmann.

Friday, June 22, 2012

alice neel- reminds me of a bird...

Andy Warhol
Oil on canvas, 152.4 x 101.6 cm, 1970

Still in Love with Richard Wentworth

Urbanism 2008

Wednesday, June 20, 2012

Might Be Good Project Space

Really excited about being invited to do the project space for Might be Good. Andy Campbell and I make a fabulous team... image via: sideshow world

Tuesday, June 19, 2012

Thursday, June 14, 2012

Wednesday, June 13, 2012

Tuesday, June 12, 2012

Documenta 13

A Spanish greyhound called Human with his front leg painted pink, by artist Pierre Huyghe. “Live things and inanimate things, made and not made. photo: Boris Roessler/EPA

The artwork Leaves Of Grass, 2012 by artist Geoffrey Farmer Photograph: Ralph Orlowski/Reuters

Pictures cut from five decades of Life magazine …Geoffrey Farmer’s Leaves of Grass at Documenta 13. Photograph: Ralph Orlowski/Reuters

GAURDIAN article and slide show found here.

Fiona Banner

Unboxing, 2012
Bronze, parachute cord and wooden box
Each glove: 16.5 x 27 x 15.5 cm
Thanks AR!

Monday, June 11, 2012

The Best Little Former Whorehouse in Texas

and my future studio! Lovely place filled with lovely people...

Via: Dmagazine

Thinking how to begin again in the studio...

Via: wish jar journal

Sunday, June 10, 2012

The Girl Can't Help It- Julie London

Friday, June 8, 2012

Thursday, June 7, 2012

A+C Review of Hystrionics at Conduit Gallery

Lacing. 2011. Margaret Meehan.

"More than the materials they use, some artists are better approached by way of their unique vision. I suspect Margaret Meehan is such an artist, demonstrated by her show at Conduit Gallery, “Hystrionics and the Forgotten Arm.” If I’m right, then it might better serve us to focus principally on the show itself rather than any one of its constituent parts." Read more of the review by Andy Amato HERE.