Saturday, February 21, 2015

Sophie Calle- The shadow

The Shadow (1981) displayed in the Guggenheim Museum in Bilbao, Spain, consisted of Calle being followed for a day by a private detective, who had been hired (at Calle's request) by her mother. It was, in Calle's words, an attempt 'to provide photographic evidence of my own existence'. Calle proceeded to lead the unwitting detective around parts of Paris that were particularly important for her, thereby reversing the expected position of the observed subject. Aware of her follower, she also wrote about in frequent journal entries throughout the day. Such projects, with their suggestions of intimacy, also questioned the role of the spectator, with viewers often feeling a sense of unease as they became the unwitting collaborators in these violations of privacy. Moreover, the deliberately constructed and thus in one sense artificial nature of the documentary ‘evidence' used in Calle's work questioned the nature of all truths.